“396 Affected”
The multitudes of pre-historic figures are assembled on a plane, which invoke uncertain visual resonances of mumblings or poetries.
The work also investigates how the social, or the power emerges in pre-linguistic collective psychology by arranging the figures in different configuration- a large group of people, a small group, three, two or a single person alone in different directions and spaces in between.
In each installation, these assemblages can have different formations affecting each group or a person, therefore, expressing and exuding their own differences onto the spaces on the plane.